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CollectiveMemory_Installation_WeStrike_Detail_01.jpg

detail, We strike, 2019, plexiglas pool table and custom balls

Farrah Karapetian (b. CA 1978) processes narratives of change and agency through writing, visual artwork, and social practice. Her artwork is collected in institutions such as the J. Paul Getty Museum, the Los Angeles County Museum of Art, and the San Francisco Museum of Modern Art. Her work has garnered support from the Pollock Krasner Foundation, the City of Los Angeles (COLA), and the Fulbright, among other sources. It has been discussed in publications such as the Los Angeles Times, Artforum, and Art in America. Her writing has been published widely, from the Brooklyn Rail to the Los Angeles Review of Books, and has earned her the Warhol Arts Writers Grant. She earned a BA from Yale University (2000) and an MFA from UCLA (2008). She is based in Los Angeles and is an Associate Professor at the University of San Diego, where she is faculty with the Department of Art, Architecture + Art History as well as with the Africana Studies minor. Residencies through the MacDowell, the CEC Artlink program in Russia, and the Art Prospect Network in Uzbekistan led her to support transnational exchange in organizational capacities at the international After Post-Photography conference and the Flux Factory, New York. In each of these roles, she encourages transboundary practices that use doubt, curiosity, and nuance to combat monolithic political or personal certainty.

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